A Post-Soviet “War and Peace”

What Tolstoy’s Masterwork Explains About Putin’s Foreign Policy

A general view of the Peterhof Palace near St. Petersburg, Russia in October 2012 Xinhua / eyevine / Redux

On February 23, 2014, Russian President Vladimir Putin attended the final day of the Winter Olympics in Sochi, the most expensive winter games to date and the first hosted by an Eastern-bloc country since the Soviet Union’s collapse. Amid the fanfare and the flag-waving, the Russian leader’s attention was likely elsewhere—across the Black Sea, on the Crimean peninsula. Just hours before the start of the closing ceremony, Putin had decided to invade the Ukrainian territory. One can almost picture him in the early hours after dawn, eyes fixed on a map of Crimea—a world-historical actor deciding precisely how to shape the course of events.

The tableau invites comparison with a scene from War and Peace. In his celebrated epic about Russia during the Napoleonic Wars, Leo Tolstoy portrays Bonaparte on a hill, looking down at Moscow. The empereur des Français envisions rebuilding the Russian capital as a

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